status: user
broj poruka: 1083 | Vanishing.On.7th.Street.2010.R5.AC3.XViD-T0XiCiNK
http://bit.ly/hXBYpF
http://bit.ly/hJLtVk
http://bit.ly/gqu53k
Video Source: ELEKTRI4KA
Audio Source: PPV (DiNKY)
Language::English
IMDB::http://www.imdb.com/title/tt1452628/
When a massive power outage plunges the city of Detroit into total darkness
a disparate group of individuals find themselves alone. The entire city`s population
has vanished into thin air, leaving behind heaps of empty clothing, abandoned cars
and lengthening shadows. Soon the daylight begins to disappear completely, and as
the survivors gather in an abandoned tavern, they realize the darkness is out to
get them, and only their rapidly diminishing light sources can keep them safe
Specs: General
Format: AVI
Format/Info: Audio Video Interleave
File size: 1.41 GiB
Duration: 1h 22mn
Overall bit rate: 2 453 Kbps
Writing application: VirtualDubMod 1.5.10.2 (build 2542/release)
Writing library: VirtualDubMod build 2542/release
Video
ID: 0
Format: MPEG-4 Visual
Format profile: Advanced Simple@L5
Format settings, BVOP: Yes
Format settings, QPel: No
Format settings, GMC: No warppoints
Format settings, Matrix: Default (H.263)
Codec ID: XVID
Codec ID/Hint: XviD
Duration: 1h 22mn
Bit rate: 2 251 Kbps
Width: 720 pixels
Height: 384 pixels
Display aspect ratio: 1.875
Frame rate: 25.000 fps
Color space: YUV
Chroma subsampling: 4:2:0
Bit depth: 8 bits
Scan type: Progressive
Bits/(Pixel*Frame): 0.326
Stream size: 1.29 GiB (92%)
Writing library: XviD 1.2.1 (UTC 2008-12-04)
Audio
ID: 1
Format: AC-3
Format/Info: Audio Coding 3
Mode extension: CM (complete main)
Codec ID: 2000
Duration: 1h 22mn
Bit rate mode: Constant
Bit rate: 192 Kbps
Channel(s): 2 channels
Channel positions: Front: L R
Sampling rate: 48.0 KHz
Bit depth: 16 bits
Stream size: 113 MiB (8%)
Alignment: Split accross interleaves
Interleave, duration: 40 ms (1.00 video frame)
Interleave, preload duration: 500 ms
NOTES: Presenting first r5 of Vanishing On 7th Street,
using audio from PPV (Studio) along with studio russian surrounds.
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KOJI JE PRVI BIĆE POSLEDNJI A KOJI JE POSLEDNJI BIĆE PRVI A ŠTO JE TAJNO BIĆE JAVNO
A ĐAVO SVE PREVARIO I SVE ISPREVRĆO DA NIKO NIŠTA NERAZUME OSIM KOME JE DATO DA RAZUME.
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